Thank you to Italian curator Valeria Ceregini, for including me in JournAll, her online art programme. JournALL offers its social media as a platform to showcase emerging and established artists across the world who may be struggling to promote themselves due to the rise of COVID-19. ‘In conversation with…’ is a video chat to connect artists at any stage of their career to talk about their experience and research. These interviews and performances want to give the resources to perform and react creatively at this crisis.
S is for Soon is my submission to Creatives Against Covid 19, a campaign calling on the creative industry to design and donate inspiring posters of hope, optimism and resilience on the theme of Soon. Social isolation during the coronavirus pandemic is more dangerous for women and children living in the reality of abusive relationships. My poster and more than 1000 others can now be purchased through the Creatives Against Covid 19 website, with all funds donated equally between ISPCC Childline and Women’s Aid. Posters are A3 and are made to order, printed by Hen’s Teeth. They are printed on gallery quality, fine art archival paper using giclée printing.
In June I was commissioned by the Facebook Artist-in-Residence Program to make a mural for the new Facebook offices in Ballsbridge, Dublin, Ireland. Click photo for more images. Photography: Louis Haugh and Arcade Film.
Typodarium is a 365 day tear-off calendar with a fresh font for every day by 244 Designers from 33 countries. It includes three of my fonts: Madagascar (Tuesday 7 April), Planetarium (Monday 20 July) and Breach (Saturday 24 October). Typodarium 2020 is compiled by Lars Harmsen and Raban Ruddigkeit and published by Verlag Hermann Schmidt. It shows a bi-scriptual font family every Sunday in addition to typedesign from all over the world. There are differences between Arabic and Hebrew, Japanese and Latin, but visually also many similarities. Communication overcomes boundaries and communication needs writing. Typodarium 2020 celebrates the colorful diversity of typefaces.
The Space Between, an exhibition of new work by Paul Bokslag, Watergarden Gallery, Ladywell Street, Thomastown, Co. Kilkenny. Opening: Thu 26 Sep 2019 @ 19.00 Exhibition continues until 25 October. Opening Times: Tue-Fri, 9.30-16.30 http://www.paulbokslag.com
Some of my work is included in the Artists in Craft exhibition at the Cill Rialaig Arts Centre in Ballinskelligs, Co. Kerry. I am grateful for the opportunity to have spend a second week at one of the cottages at the retreat, making new work, meeting old and new friends, experiencing the peace, focus and beauty of the place and even visiting Skellig Michael.
I am looking forward to showing new work alongside Laura Angell and Fiona Mullholland at Other Dimensions, an exhibition showcasing abstract sculptural work in a range of media in the beautiful Luan Gallery in Athlone, Co. Westmeath. The exhibition will be opened by Joanne Laws, critical writer and editor on Friday 12 April at 18:00 and continues until Sunday 9 June 2019. Opening times: Tuesday – Saturday 11:00 – 17:00 and Sunday 12:00 – 17:00.
I am grateful for the opportunity to spend a week in Cill Rialaig, the artist retreat in Ballinskelligs, Co. Kerry, to make new work for an upcoming exhibition.
I am looking forward to talking about my work which is currently on show at the National Design & Craft Gallery in Kilkenny this Thursday 18 October at 18.30
Free Late Date Event: Meet The Makers
Join artist and designer Paul Bokslag with fellow exhibitor Marius Watz for our late date evening this Thursday. Paul will discuss his inspiration and processes involved in creating his Revolve paper installation. Marius will discuss his site-specific wall drawings and how he uses visual abstraction through generative software. This event is part of our .OBJ exhibition education and outreach programme at the National Design and Craft Gallery. The exhibition is curated by Nora O’Murchu.
In March I received an email from Edo Smitshuijzen who proposed to include some of my typefaces in his publication on Mashrabiya Fonts. I was delighted to receive a copy of the beautifully produced book in the post today, generously highlighting eight of my fonts and even 3D vase renderings of a papercut.
Mashrabiyas are an iconic element of Arabic architecture. Providing shade, air circulation and privacy, all at the same time. This book showcases a number of font designs that can be used to produce Mashrabiya screens, including some possible applications. It aims to fill in a peculiar gap and thus enrich the Arabic visual culture with this new category of fonts.
The 216-page full colour paperback can be ordered through Khatt Books, publishers on design and visual culture of the Middle East and North Africa.